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DR. PARK GALLERY
2011.09
The Artist, Kim Kun Ju, monologizes various variations of languages embracing the possibilities of sculptural reproduction. The monologue is similar to letters and becomes various images of echoing with language and sound to create several layers of landscape.
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HADA CONTEMPORARY, London
2011.07
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Sotheby's Artlink Gallery
2010
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Mongin Art Center
2008.11
In the pitch-black night, a sudden gleam of light discloses everything in the darkness that weighs on one's mind and body. After the intense light fades away, eyes in the dark thirst for what is essential following the dimness, retaining a flickering afterimage. Now, eyes disappear and only the gaze remains.
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Palazzo Zenobio Venezia
2009.06
ON-AIR Project explores actual faces of existence in abstraction after the disappearance of reality, by contrasting the defining nature of photography, which represents, registers, and records images against the law of nature, i.e., that all that exists will eventually disappear.
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Johyun Gallery
2011.09
At first, I thought I knew the paintings well. Cactus drawn as tall as a man and somewhat familiar sceneries looked easy and simple from the outside. But..
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313 Art Project
2011.08
It is the way in which the operation of being void and compact in the canvas results from the interaction of color and space, as well as the working process embodying the artist’s thoughts.
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Sungkok Art Museum
2011.02
The Unnamable Scenery, including three chapters, three spaces, and three stages, is three independent and associated incidents that appropriate the structure of a dialectic tragedy.
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Aspen Art Museum
2011.07
Internationally renowned artist Haegue Yang creates installations that include photographic, video, and sculptural elements and are informed by the artist’s philosophical and political investigations. Responding to the places where she exhibits, Yang creates site-specific new work that incorporates both the architecture of the exhibition space and materials gathered from the region.
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Artsonje Center
2011.05
An image is only one of the truths drifting in our imaginations and beliefs. The question is, how do we look at that?
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Arnolfini
2011.07
The two‐person exhibition The Sea Wallwill facilitate a conversation between the work of artist Haegue Yang and Felix Gonzalez‐Torres. Operating though a number of conceptual and aesthetic approaches, this dialogue will look to activate their respective practices anew, drawing on the co‐existence of the poetical and political aspects in their work, contextualising them in a contemporary socio‐political, as well as artistic discourse.
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Cais Gallery
2011.05
Looking over Seoul today, I've discovered a gap between the conceptual image and the recognition on city space we live in reality. Various perspectives from outside, inside, below and above needed to observe this complex nature.
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