Search by
All 2012(34) 2011(65) 2010(105) 2009(132) 2008(131) 2007(108) 2006(76) 2005~(229)
  • Solo Solo
  • Group Group
  • Project Project

Kwangho Lee - Inter-View in Changdong 

Changdong Art Studio 2006.04

To Lee, Kwang-Ho, the canvas is a window through which he has an on-going dialogue with the objects painted. In addition, his way of relating to others is presented using different media. This characteristic is most distinct in his recent series of portraits that are combined with some objects and video installations.

고해상도 전시보기

Geun Taek Yoo - Geuntaek Yoo Solo Exhibition 

Dong San Bang Gallery 2007.03

To begin with, one can say that the characteristics of Yoo Geuntaek's painting emerge from the materials, the texture and vitality in his work. Most of his work is done by painting on paper with chalk powder and Indian ink, and his technical practice has become more sophisticated in his recent work. The boldly sliding repetitive strokes, the sense of materials in softly colored surfaces with chalk powder, the expanding patterns like waves, the sharp but loose shapes as a glimmering apparition, especially the brush stroke making rhythmical moves as blurry snap photo shots; all of these construct an exquisite sense in Yoo's painting.

고해상도 전시보기

Byoungho Kim - Assembled Fantasy 

Weibang Gallery 2008.06

Media artist Byoung-ho Kim designs a fantasy. He regards it not only as a desire of a human being but something under the control of one. He is convinced there is a fantasy in every creature by all means, so constantly coordinates, adapts, and arranges it as a desire. Therefore, the more intense a desire grows, the more sophisticated a fantasy becomes, and eventually arouses such a nuance of a commodity as a ‘ready-made.’ A work of Byoung-ho Kim is not the representation of a desire but the result of it.

고해상도 전시보기

Myungjin Song - Green Home 

Rho gallery 2007.07

Beginning from the 2005 exhibition titled "Surface of Landscape", there have been familiar motifs such as bridges, bushes and so on. Being representational yet unrealistic, they allowed a trial to overlap the real images and the painted ones in an attempt to catch a better glimpse of the paintings.

고해상도 전시보기

Sunny kim - Girls in Uniform 

Gallery Sagan 2001.05

Sunny Kim's paintings move from sublime to unfeeling in an instant. In her world, human frailty flickers within the four corners of enormous historical realities. Realities where uniforms (military, academic, professional) are the vehicle, source, and subject of meaning. Nonetheless, this unrelenting uniform world is also hyperbolic, fantastic, even ironic. The sparse spaces of Kim's depictions become a waiting veneer susceptible to the unique projections of its inhabitants.

고해상도 전시보기

Bomin Kim - The Settlement 

doART Gallery 2006.12

First, let us visit the studio in <Open Studio (2004)>. There is a desk. A pile of two books and an open one are on the desk. And a chair is laid askew. These things are described with lines as Kim BoMin has usually done in her earlier works. Of course, she did not draw the lines. She attached the line tape. All these things are covered with a kind of fog of Korean ink which is emitted from the cotton cloth.

고해상도 전시보기
first prevpre 61 nextnext last
Quick Page Up