Haegue Yang - Art and Technique of Folding the Land 

Aspen Art Museum 2011.07

Internationally renowned artist Haegue Yang creates installations that include photographic, video, and sculptural elements and are informed by the artist’s philosophical and political investigations. Responding to the places where she exhibits, Yang creates site-specific new work that incorporates both the architecture of the exhibition space and materials gathered from the region.

Seungwoo Back - Diferred Judgement 

Artsonje Center 2011.05

An image is only one of the truths drifting in our imaginations and beliefs. The question is, how do we look at that?

Haegue Yang - Two person show – The Sea Wall: Felix Gonzalez-Torres/Haegue Yang 

Arnolfini 2011.07

The two‐person exhibition The Sea Wallwill facilitate a conversation between the work of artist Haegue Yang and Felix Gonzalez‐Torres. Operating though a number of conceptual and aesthetic approaches, this dialogue will look to activate their respective practices anew, drawing on the co‐existence of the poetical and political aspects in their work, contextualising them in a contemporary socio‐political, as well as artistic discourse.

Bomin Kim - Now, here 

Cais Gallery 2011.05

Looking over Seoul today, I've discovered a gap between the conceptual image and the recognition on city space we live in reality. Various perspectives from outside, inside, below and above needed to observe this complex nature.

Sukho Kang - Seokho Kang 

Gallery2 2009.11

Sukho Kang - Seok Ho Kang 

Brain Factory 2008.11

Rarely do we use the term “painter” when we call a person who paints nowadays, as ofter as we used to, but I care for what the word emits, such as antiquated sense and professional persistence. Seok Ho Kang is one of the few who, as far as I know, fit in a “painter” rather than an “artist”.

Sukho Kang - Exhibition for Kumho Young Artists 

Kumho Museum 2006.05

On the white walls of the exhibition room hang 60 identical paintings. Oil paintings painted on different sizes of a canvas account for about 40 works and the rest of the works are drawings on a paper. A figure on a seemingly perfect square canvases and papers is an unknown man standing with his hands folded behind his back in check jacket from behind.

Sukho Kang - Get-up 

Insa Art space, Seoul 2005.08

Sukho Kang - Sukho Kang 

doART Gallery 2003.10

Sooyeon Hong - Reminiscing the medium -a ´post´ -syndrome  

Museum of Art, Seoul National University 2007.08

Recently. It appears as though some artists are already growing out of the realm of melancholic ‘post‐’syndrome. The beginning of the postmodern society was proclaimed most definitively by Jean‐Francois Lyotard in his acclaimed 1979 writing “The postmodern condition”. Arthistorically, the metanarrative of the visual art, Modernism, had come to surrender itself to the postmodernism that rose in the 1980s and was held effective all though the 1990s.

Sooyeon Hong - Sooyeon Hong Solo Exhibition 

Gallery Bundo 2007.09

Sooyeon Hong - Dazed & Painted 

Gallery SEOMI 2008.05

Let’s begin with a simple example. There are minutes between hours and seconds between minutes. Within this standardized frame, we live a day, a year, and our whole life. What marks the beginning and the end of life also does not go beyond that frame. To set a unit that can be easily converted and to face the fragmented world through that unit are how we deal with the world

Sooyeon Hong - Artwall Gallery 

Shinsegae Gallery 2009.11

Soun Hong - Him of Gyeonggido 

Gyeonggi Museum of Modern Art 2010.05

Soun Hong - Up and Comers 

Total Museum of Contemporary Art 2009.04