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Eunji Cho - The Organic Flag Performance 

Baene-gol, Gyeongsang Province 2007

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Jaehoon Lee - Marginal Group 

Interalia Art Company 2011.12

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Jaehoon Lee - Special Story 

Cyan Gallery 2010.11

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Jungho Oak - The Holy Landscape 

2011.12

Ock Jungho recently played on a mud flat. He did yoga and photographed himself doing yoga in the tidal flat of Ganghwa Island. What he did on a mud flat, yoga, was a playing. There's no other meaning than entertaining himself. It doesn't really matter if it is a satire on society, non-satire, a metaphor, a symbol nor even nothing. There are many ways for interpret about it, but the closest and the most literal one may be a playing on a mud flat or in-the-mud as he expressed. He said that he suddenly hit on the idea of doing yoga on a mud flat while drinking with his friend in the daytime. The mud flat isn't simple mud. It's like a pit sinking into gradually. If one stands on a mud flat, it feels like being landed on a hard ground at first, then the feeling changes as sinking into the sand. There's such sense of that a feet gets stuck in there. In fact, it's all depends on how much water or the sea covers an area of flat muddy land.

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Joungmin Yi - Rooftop Trilogy 

platform slowrush, Songdo International City, Incheon 2010.12

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Youngho Yoo - Greetingman 

Gallery Skape 2011.06

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Jungsun Kim - Solo Exhibition 

LEEHWAIK GALLERY 2009.09

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Sunkyung Lee - Face 

Alternative Space CHUNGJEONGGAK 2010.10

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Jungsun Kim - Solo Exhibition 

Kips Gallery, New York 2011.04

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Byungho Lee - Shade Tree 

GALLERY HYUNDAI 16bungee 2011.12

The theme that Byungho Lee consistently present in his body of works is ‘change and transmutation.’ The prominent feature of Lee’s previous works was the physical change devised by air compressor and silicon, a materialwhich isflexible in its form, were prominent in the former works.

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RohwaJeong - THE DAY WITHOUT HANDS 

Rhuhwarang 2011.09

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Shine Kong - Adagio for Springs 

ARARIO GALLERY 2009.04

One could describe Shine Kong’s recent works as a ‘situation play of objects’. Such theatrical tendency present in the series Ribbing Room and Good Morning that were in her 2007 solo show at Arario Gallery, Seoul, play an important role in laying the foundation for her recent works.

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