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Jihye Park - Stretch 

KEUMSAN GALLERY 2006.03

Jihye Park - Retrospective 2007 - Korean Young Painters 

DOOSAN Gallery 2008.02

Jihye Park - SHE-Another Gesture 

GALLERY HYUNDAI Gangnam Space 2009.04

Jeeun Park - Anxiety 

Ssamzie space 2007

Jeeun Park - Power Station 

Arko Art Center 2005.05

Yongsik Park - STANDING ON THE BORDERLINE 

Gallery Skape 2007.10

Anthropomorphized animals are found in fables, cartoons or fairy tales to 'scold' or to 'satire' wrongdoings of human. Their world is just like ours with the still rampant law of survival of the fittest. Also, so-called, justice rules the world so the good prevails and the villains are punished, like the Aesop Fables, Lion King and the Big-Eyed Frog. Sometimes, the animals in those fables and cartoons are smarter tasks;

Yongsik Park - BLURRING THE BORDERLINE 

International du CEAAC, Strasbourg France 2008

Ever since he released works featuring robots in 1999, Yongsik Park has employed images of animals cute enough to be from cartoons. These animals, placed in everyday, natural or fabricated situations, are usually familiar to us, such as dogs, ducks, horses, and mice, and the resulting compounds are diverse, including the original sculpture as well as photographs, installations and drawings. Although recent works using twigs seem to focus on connectivity rather than concrete substance or subjectivity, Park's interest in domesticated animals continues.

Yongsik Park - KEEP THE EARTH  

Boda Gallery 1999

I will speak that my work is based on the images with affect on my youth. I think that classification and chase on my favorite things and something beautiful in my eyes are reflection of individual 'I' and age I belong to pas. Image and things (things produced in industrialization system) that has been classified, selected occupied very big part in my formation of sense of values and emotion.

Yongsik Park - SOMETHING & SOMETHING 

CHANG GALLERY 2003.04

Image seeing within my life and combination of those. If the first private exhibition began with my life overlook, this private exhibition is that draw image of several existences that is consisted within world and world that I belong. It is that fill image of here (place) and the time that I grow up.

Yongsik Park - HYBRID DEVICE 

Artspace Hue 2004.11

In the late 1990s contemporary Korean sculpture underwent a tendency that artworks appropriated three-dimensional quality from two-dimensional or everyday images. As the early cubists made an attempt to dimensionalize flat planes, the conceptions of objects and installations were frequently stated and newly interpreted. In the late 20th century often referred to as the age of images, artificial goods and commodity images are pervasive. In this era these images are represented in forms of objects or installations in space.

Soyoung Park - Dungari 

Project Space SARUBIA 2006.11

Park Soyoung shows her works decorated with various colors in Sarubia Space in three years. At her solo exhibition in 2003(‘Green and Burden’, Gallery Fish), they were heavy white plaster masses.

Soyoung Park - Light 

GaGallery 2004.04

‘Remains’, ‘Container’, ‘Burden’, ‘Shell’, and ‘Light’. In retrospect the motifs of Soyoung Park’s sculpture so far broadly, the sculptures during her study in Germany were ‘remains’(“RemainsⅠ, Ⅱ”, 1991) of the present and a ‘monument’(“A Monument for Unknown Artists”, 1993) with empty contents.

Soyoung Park - Anyang Public Art Project 

Anyang Public Art Project 2007.10

Seonghi Bahk - Optic Game 

GALLERY ARTSIDE 2007.04

Seonghi Bahk - 2005 Artist of Today 

Kim Chong Young Museum 2005.07