Jinny Suh has dealt with bringing two dimensional paintings of dots and lines into spatial installation. From the installations of drawings on papers to the architectural construction with walls and steel structures, her attempts to merge into three dimensional spaces have been various. Lines crossing each other create surface, over laid surfaces create space, and these all together form organic divisions of the exhibition halls. Through such process, the artist conducts detailed, complex interpretations of the architectural spaces, responds to them, and realizes her private space in the public one. Through such relation, the audiences are invited to experience ever changing surfaces and space in which they can form their own meaning of the space.
