| 2012 |
'BIOS-Konzepte des Lebens in der zeitgenzeitgenössischen Skulptur', Georg Kolbe Museum, Berlin
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| |
'Invisible Cities', Mass MoCA, North Adams, Massachusetts
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| 2011 |
Contemporary Craft, Nw & Here, curated by CHung Joonmo, Cheongju International Craft Biennale 2011, Cheongju, Korea
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| |
'Countdown', curated by Sungwon Kim, Culture Station Seoul 284, Seoul
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| |
Space Study, PLATEAU(formerly Rodin Gallery), Samsung Museum of Art, Seoul
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| 2010 |
A Fragmentary Anatomy of Every Setting Sun, permanent installation, Hara Museum ARC, Gunmam, Japan
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| |
New Art for a New Century: Contemporary Acquisitions, 2000-2010, Orange County Museum of Art, Newport Beach, California
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| |
Morality, Act VI: Remember Humanity, Witted With Center for Contemporary Art, Rotterdam
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| |
Fantasmagoria, le monde mythique, Les Abbatoirs, Toulouse
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| |
The Infinite Starburst of Your Cold Dark Eyes, PKM Gallery / Bartleby Bickle & Meursault, Seoul
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| |
Itinéraires de l'élégance, entre l'Orient et l'Occident, Villa Empain, Boghossian Foundation, Brussels
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| |
The Flower of May, Gwangju Juseum of Art, Gwangju, Korea
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| |
New Decor, Hayward Gallery, London
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| |
Transformation, Museum of Contemporary Art, Tokyo
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| 2009 |
GAGARIN, The Artists in their Own Words, Stedelijk Museum Voor Actuele Kunst, Ghent
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| |
Void of Memory, curated by Mami Kataoka and Sunjung Kim, Platform Seoul 2009, Kimusa(Former Defense Security Command Site), Seoul
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| 2008 |
Prospect. 1, curated by Dan Cameron, Contemporary Arts Center, New Orleans
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| |
Art is for the Spirit: Works from the UBS Collection, Mori Art Museum, Tokyo
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| |
Fragile Beauty, Museum Kunst Palast, Duesseldorf
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| |
Life? Biomorphic Forms in Sculptrue, Kunsthaus Graz, Graz, Austria
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| |
Mobile Art: Chanel Contemporary Art Container, designed by Zaha Hadid, Hong Kong, travelled to Tokyo and New York.
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| |
Fluid Street-Alone, Together, Kiasma Museum of Contemporary Art, Helsinki
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| 2007 |
Global Feminisms, Brooklyn Museum of Art, New York
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| |
Time Present, Time Past, Istanbul Museum of Modern art, Instanbul
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| |
Not Only Possible, But Also Necessary: Optimism in the Age of Global War, curated by Hou Hanru, 10th International Istanbul Biennial
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| |
Tomorrow, Artsonje Center, Seoul
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| 2006 |
100 Years of Korean Art - Part 2, National Museum of Contemporary Art, Seoul
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| |
Dirty Yoga, Curated by Dan Cameron, 2006 Taipei Biennial
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| |
Uneasy Nature, Weatherspoon Art Museum, Greensboro, North Carolina
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| |
The Past Made Present: Contemporary Art and Memory, Museum of Fine Arts, Houston
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| |
Real Utopia, 21st Century Museum of Contemporary Art, Kanazawa
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| 2005 |
Baroque and Neo-Baroue: The Hell of the Beautiful, Domus Artiu, 02, Salamanca
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| |
New Acquisitions 2004, National Museum of Contemporary Art, Seoul
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| |
Encounters with Modernism, National Museum of Art, Deoksugung Palace, Seoul
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| |
Visions of the Body, Seoul Museum of Art, Seoul
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| |
Gorgeous Isn't Good Enough, Spazio Pirelli Hangar Bicocca, Milan
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| |
(My Private)HEROES, MARTa, Herford, Germany
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| |
IDYL, Openluchtmuseum voor Beeldhouwkunst Middelheim, Antwerp
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| |
California Modern, Orange County Museum of Art, Newport Beach, California Art Unlimited, Art 36 Basel
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| 2004 |
Anderersiets: Die Phantastik, Landesgalerie, Linz
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| |
Why Not Live For Art?, Tokyo Opera City Art Gallery, Tokyo
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| |
Encounters in the 21st Century: Polyphony - Emerging Resonances, 21st Century Museum of Contemporary Art, Kanazawa
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| |
Artes Mundi Prize, National Museum and Gallery, Cardiff
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| |
Standing on a Bridge, Arario Gallery, Cheonan, Korea
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| |
Inaugural exhibition, Leeum, Samsung Museum of Modern Art, Seoul
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| |
The Nature Machine, Queensland Art Gallery, Brisbane
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| 2003 |
Girls Don't Cry, Parco Museum, Tokyo
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| |
World rush_4 Artists, National Gallery of Victoria, Melbourne
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| |
The Uncanny, Mendel Art Gallery, Saskatoon, Cananda
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| |
Five: The Artsonje Collection, Artsonje Center, Seoul
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| 2002 |
The Uncanny, Edmonton Art Gallery, Edmonton
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| |
Walk Around Time: Selections from the Permanent Collection, Walker Art Center, Minneapolis
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| |
BINGO, Galerie Thaddaeus Ropac, Paris
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| |
My Reality: The Culture of Anime, Contemporary Arts Center, Cincinnati
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| |
The Uncanny, Vancouver Art Gallery, Vancouver
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| |
Fusion Cuisine, Deste Foundation, Athens
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| |
Shape, 21st Century Museum of Contemporary Art, Kanazawa
|
| 2001 |
01.01.01: Art in Technological Times, San Francisco Museum of Modern Art, San Francisco
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| |
The Collection of 21st Century Museum of Contemporary Art, 21st Century Museum of Contemporary Art, Kanazawa, Japan
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| |
Egofugal, Curated by Yuko Hasegawa, 7th International Istanbul Biennial
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| |
Record All Over, 9th Biennale de l'Image en Mouvement, Musee d'art moderne et contemporain, Geneva
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| |
Let's Entertain, Kunstmuseum Wolfsburg, Wolfsburg
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| |
My Reality: The Culture of Anime, Des Moines Art Center, Des Moines
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| |
Body as Byte, Kustmuseum Luzern, Luzern, Switzerland
|
| |
Connivence, Curated by Laurence Hazout-Dreyfus, 6th Biennale de Lyon
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| |
ARS 01: Third Space, Kiasma Museum of Contemporary Art, Helsinki
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| |
Let's Entertain, Miami Art Museum, Miami
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| |
My Reality: The Culture of Anime, Brooklyn Museum of Art, New York
|
| 2000 |
Tourlou, tourlou, Melina Mercouri Art Soace, Hydra, Greece
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| |
Zeitwenden, Kuenstlerhaus Wien
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| |
Air Air, Grimaldi Forum, Monaco
|
| |
media_city seoul, Curated by Barbara London and Jeremy Millar, Seoul Museum of Art, Seoul
|
| |
Au-dela du Spectacle, Centre Georges Pompidou, Paris
|
| |
Let's Entertain, Portland Art Museum, Portland
|
| |
Continuum 001, Curated by Rebecca Gordon Nesbitt, Centre for Contemporary Arts, Glasgow
|
| |
Der anagrammatische Koreper, Zentrum fuer Kunst und Medientechnologie, Karlsruhe, Germany
|
| |
Zeitwenden, Museum Moderner Kunst Stiftung Ludwig Wien
|
| |
Echigo-Tsumari Art Triennial, Selected by Nancy Spector, Echigo-Tsumark, Japan
|
| |
Lust Warande, De Oude Warande, Tilburg, organized by Fundament Foundation
|
| |
Shanhai Biennale, Curated by Toshio Shimizu and Hou Hanru, Shanghai Art Museum
|
| |
Slowness of Speed, Artsonje Center, Seoul
|
| |
Let's Entertain, Walker Art Center, Minneapolis
|
| |
La casa, il corpo, il cuore, National Gallery, Prague
|
| 1999 |
Cities on the Move 4, Hayward Gallery, London
|
| |
Slowness of Speed, Art Gallery of New South Wales, Sydney
|
| |
dAPERTutto, Curated by Harald Szeemann, 48th Venice Biennale
|
| |
Der anagrammatische Koreper, Kunsthaus Muerz in cooperation with Neue Galeri Graz, Austria
|
| |
Zeitwenden, Kunstmuseum Bonn, Bonn
|
| |
Cities on the Move 5, Louisiana Museum of Modern Art, Humblebaek, Denmark
|
| |
Hot Air, Curated by Fumio Nanjo, Granship Center, Shizuoka, Japan
|
| |
La casa, il corpo, il cuore, Museum Moderner Kunst Stiftung Ludwig Wien
|
| |
Cities on the Move 7, Kiasma Museum of Contemporary Art, Helsinki
|
| 1998 |
Slowness of Speed, National Gallery of Victoria, Melbourne
|
| |
Traffic Jam, Buero Friedrich, Mitte, Berlin
|
| |
Cities on the Move 3, capc Musee d'art contemporain, Bordeaux
|
| |
The Natural World, Vancouver Art Gallery, Vancouver
|
| |
Sarajevo 2000, Museum Moderner Kunst Stiftung Ludwig, Vienna
|
| |
Cities on the Move, Curated by Hans-Ulrich Obrist and Hou Hanru, Secession, Vienna
|
| |
Cities on the Move 2, P.S. 1 Contemporary Art Center, New York
|
| |
Hugo Boss Prize 1998, Guggenheim Museum SoHo, New York
|
| 1997 |
619 KBB 75, Car installation project with Pipilotti Rist, Georgina Starr, and others, curated by Laurence Hazout, Paris and Berlin
|
| |
Fast Forward, The Power Plant, Toronto
|
| |
L'autre, Curated by Harald Szeemann, 4th Biennale de Lyon
|
| 1996 |
Arcos da Lapa, Public projection, Rio de Janeiro, organized by Laboratoire(Grenoble)
|
| |
Join Me!, Curated by Yuko Hasegawa, Spiral/Wacoal Art Center, Tokyo
|
| 1995 |
New Asian Art, Japan Foundation, Tokyo
|
| |
6th Triennale Kleinplastik, Curated by Lorand Hegyi, Suedwest LandesBank Forum, Stuttgart
|
| |
Ssack, Artsonje Center, Seoul
|
| |
Korean Contemporary Art, 1st Gwangju Biennale, Gwangju, Korea
|
| |
Information and Reality, Fruitmarket Gallery, Edinburgh
|
| |
Body and Recognition, Korean Culture & Arts Foundation, Seoul
|
| 1994 |
The Vision of the Next Generation, Seoul Arts Center, Seoul
|
| |
This Kind of Art-Dish Washing, Kumho Museum, Seoul
|
| |
Technology, Environment & Information, Recycling Art Pavilion, Expo Science Park, Daejeon, Korea
|
| |
Woman: The Difference and the Power, Hankuk Museum, Seoul and Yongin, Korea
|
| |
Untitled installation and performance, Before Building, Myeong-dong, Seoul
|
| 1993 |
Impromptu Amusement, Performance, Kunitachi Art Hall, Tokyo
|
| |
Plastic Spring, Curated by Yongwoo Lee, Duk Won Gallery, Seoul
|
| |
Conversation, Performance, Proto Theater, Tokyo
|
| |
1st Asia-Pacific Triennial, Queensland Art Gallery, Brisbane, Australia
|
| 1992 |
Year of Ears: Diagramming II, Performance, Live House Nanjang, Seoul
|
| |
Diet: Diagramming III, Performance, Sagak Gallery, Seoul
|
| 1991 |
BIO, Space Ozone, Seoul
|
| |
DMZ: Art and Cultural Movement, Seoul Arts Center
|
| |
Interaction, Five-day performance with Chino Shuichi, Suwon Castle, Korea
|
| |
Dish Washing, Sonamu Gallery, Seoul
|
| |
At the Forest of Chaos, Jahamoon Gallery, Seoul
|
| 1990 |
Song of the Fish, Performance, Dong Soong Art Center, Seoul
|
| |
Sunday Seoul, Sonamu Gallery, Seoul
|
| |
Sorry for Suffering-You Think I'm a Puppy on a Picnic, Twelve-day performance beginning in Gimpo Airport, Korea and continuing throughout various sites in Tokyo
|
| |
Artoilet II, Performance, Space Theater, Seoul
|
| |
Tokyo-Seoul Traffic, K Gallery, Tokyo
|
| 1989 |
Korean Installation Art Festival, Total Art Museum and Sculpture Park, Jang Heung, Korea
|
| |
Cravings, Performance, National Museum of Contemporary Art, Seoul
|
| |
Abortion, Performance, Dong Soong Art Center, Seoul
|
| 1988 |
Hong Ik Sculpture Association Annual, Korean Culture & Arts Foundation, Seoul
|
| |
Anti-Idea, Total Art Museum, Seoul
|
| |
Point of View and Point in Time II, Batang Gol Gallery, Seoul
|
| |
U. A. O., Renoir Art Hall, Seoul
|
| 1987 |
Print of Concept, P&P Gallery, Seoul
|
| |
Point of View and Point in Time, Batang Gol Gallery, Seoul
|
| |
Museum III, Soo Gallery, Seoul
|
| |
Museum, Kwanhoon Gallery, Seoul
|
